
Masanori Umeda’s Unusual Furniture
Tatami floors, zigzag legs and velvet petals furnish Umeda’s domestic world.

Tatami floors, zigzag legs and velvet petals furnish Umeda’s domestic world.
An era when fashion houses extended their identities beyond clothing and into the phones we carried.

Rubbish to burn and trains to catch, in settings shaped by Hundertwasser.

A Tokyo hotel commission connected Wright with educators, brewers and architects across Japan.
A pop identity built through colour, repetition and a measured amount of discomfort.

The printed matter and familiar objects behind Maison Martin Margiela’s unconventional show invitations.

Television’s empty hours were filled with circles, grids, faces, and bars, each designed to expose a different technical fault.

Why prison electronics are transparent, and how familiar consumer products are modified for inspection, restricted access and controlled use.

Before color, the World Cup match ball evolved through pattern, material, and tournament identity.

Not quite props, not quite souvenirs. These A24 collectibles extend their films through objects made for shelves, tables, and hands.